When filmmakers are hunting for a platform to premiere their work, there are a few elite festivals guaranteed to elevate a movie’s credibility.
What do power politics, a hostile horned fox, a $5 billion slush fund and riderless horses have in common?
When Fabio Grassadonia and Antonio Piazza presented their sophomore feature “Sicilian Ghost Story” at the Metropolis Cinema earlier this week, the capacity...
Girl meets boy. Girl loses boy. Girl wins boy back again. It’s a formula that’s inspired untold numbers of romantic comedies, speaking any number of languages.
Russian Dmitry Masleyev on Wednesday won first prize for the piano at the prestigious Tchaikovsky international music competition in Moscow.
As the Cannes festival bears down on its weekend awards ceremony, a look at the movies seen so far and their reviews reveal deep divisions among the critics.
“Daaesh.” Yassin Haj Saleh pauses as if the word, the Arabic acronym for ISIS, were a question in need of an answer.
South Korean director Bong Joon-ho’s raucous social satire “Parasite,” about a poor family of hustlers who find jobs with a wealthy family, won the Cannes...