Your feedback is important to us!
We invite all our readers to share with us their views and comments about this article.
Disclaimer: Comments submitted by third parties on this site are the sole responsibility of the individual(s) whose content is submitted. The Daily Star accepts no responsibility for the content of comment(s), including, without limitation, any error, omission or inaccuracy therein. Please note that your email address will NOT appear on the site.
Alert: If you are facing problems with posting comments, please note that you must verify your email with Disqus prior to posting a comment. follow this link to make sure your account meets the requirements. (http://bit.ly/vDisqus)
Liwaa Yazji's 2014 feature film debut resembles a solo effort, having been written, directed, produced and shot by her – albeit in tandem with cinematographers Jude Gorany and Talal Khoury.The film modestly describes itself as being concerned with Syrians' relationships with their homes during the present conflict, yet the doc supersedes this parochial-sounding brief. At the heart of the film are Abed and Rufeida, a married couple with whom Yazji Skypes, who are forever on the brink of fleeing.The film's Beirut debut has been packaged within Ecrans du Reel, the French Institute's yearly documentary film festival, now up at Metropolis Cinema-Sofil.A host of film has emerged from, or about, Syria's decent from Arab Spring-style civil revolution to armed conflict and civil war. The young woman's interview is shot in a bombed-out shell of a structure in Shatila refugee camp. Presumably this is the building her family rented for $400-$500 a month – one which is without an operating kitchen and impossible to clean because its shell holes have left the interior completely exposed.Upon each box is affixed an itemized list of its contents.
Melodrama and social critique in Tunis
A scenic tour of abandoned mobility
Lebanese doc takes treasure at CIFF
FOLLOW THIS ARTICLE