Your feedback is important to us!
We invite all our readers to share with us their views and comments about this article.
Disclaimer: Comments submitted by third parties on this site are the sole responsibility of the individual(s) whose content is submitted. The Daily Star accepts no responsibility for the content of comment(s), including, without limitation, any error, omission or inaccuracy therein. Please note that your email address will NOT appear on the site.
Alert: If you are facing problems with posting comments, please note that you must verify your email with Disqus prior to posting a comment. follow this link to make sure your account meets the requirements. (http://bit.ly/vDisqus)
Visitors to the Marfa' Projects space these days are met with a good deal of work inspired by the published word.are most recent works in Avakian's "Composition with a Recurring Sound," first shown here in 2016, during "Esma" (Listen), the Beirut Art Center's sound-referencing group expo.The media are different but the show's two species of work are unified by a common narrative.The only precious objects the water endangered were books.Most of the works in "Seen and Unseen" are concerned with showing that layer of incidental inscription that makes individual books unique alongside other copies of the same book. Like some recent treatments of archival photography, the works in "Seen and Unseen" are interested in the materiality of cultural artifacts.The icons aren't simple photos or Xerox copies.If early photos stayed for 30 seconds, photos today remain for 100-150 years before darkening.An overexposed photo may have lost representational value, but that doesn't mean it doesn't have proof of presence.
Twelve hours of seamless sound
Girl meets boy, in Qadisha Valley
Like feeding an old carpet to goats
FOLLOW THIS ARTICLE