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Carefully excising the "point" of amateur porn – Avakian's montage is utterly devoid of human beings, let alone sex – "Arabic Home Interiors" focuses only on the tracking shots: the amateur filmmakers' efforts to emulate the arty interstitial bridges designed to build suspense (or something) for the observer-voyeur.As a study of the in-between, Avakian's work also echoes the importance of absence – an abiding preoccupation of contemporary art since at least the 1950s, when the West first fell in love with mediated sound and image."Arabic Home Interiors" occupies one of the six surfaces set aside to host "Whistling in the Dark," the five-person group show, curated by Aischa Berg, most of whose artists are, or have been, associated with Ashkal Alwan's Home Workspace program. The exhibition is hosted by Workshop Gallery. Exhibition catalogues tend to have images of the works operate in counterpoint with artists' remarks or curatorial essays.Is the exhibition's decidedly noncommercial art being protected from the design-buying general public, you wonder, or vice versa?Brennan's core narrative stands at some distance from the imaginative work she's created, but it is at a more mature stage of development than Daniel Barroca's "Notes on the vibration of the nervous system".
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