LONDON: Their status as literary heavyweights could not save them from the savage sarcasm of the critics. Novelists Martin Amis and Salman Rushdie and former poet laureate Andrew Motion were all up for critical mauling of the year in a shortlist published this week.

“Hatchet Job of the Year,” run by British literary criticism website The Omnivore, was set up to celebrate serious book reviewing which organizers said was a dying art in the age of Amazon, blogs and Twitter.

Now in its second year, it is awarded to the “angriest, funniest, most trenchant book review” of the past 12 months, and this year’s winner will be chosen from eight nominees.

Among those with the harshest verdicts over the last year were the Washington Post’s Ron Charles for his review of Amis’ “Lionel Asbo,” and Zoe Heller for her critique of Rushdie’s memoir “Joseph Anton” in the New York Review of Books.

“Critics’ quills were noticeably sharper in 2012,” said Anna Baddeley, The Omnivore editor. “But there is still a long way to go. Book reviews are, in the main, too fawning and dull.”

While the reviews do not reflect overall reaction to the works in question, Charles said “Lionel Asbo” served up “blanched stereotypes on the silver platter of his [Amis’] prose as though it contained enough spice to entertain or even shock.

“Does any other truly great writer make us wonder whether his brilliant parts are worth the wearisome whole?” wrote Charles, the first U.S. critic to be included.

Heller took Rushdie to task for his “magisterial amour proper,” as she termed it. “Some readers may find, by the end of ‘Joseph Anton,’ that the world feels rather smaller and grimmer than before. But they should not be unduly alarmed. The world is as large and as wide as it ever was; it’s just Rushdie who got small.”

Motion, poet laureate until 2009, fell afoul of the London Evening Standard’s Claire Harman for his “Silver: A Return to Treasure Island,” in which she described the characters “as wooden as absent Silver’s leg.”

In the Mail on Sunday, Craig Brown accused Richard Bradford of plagiarising himself in “The Odd Couple,” while Allan Massie damned Craig Raine with faint praise in the Scotsman, writing of “The Divine Comedy” that “Raine can spell. That much must be admitted.”

The Hatchet Job of the Year Award will be announced Feb. 12. The victor wins a year’s supply of potted shrimp.