Your feedback is important to us!
We invite all our readers to share with us their views and comments about this article.
Disclaimer: Comments submitted by third parties on this site are the sole responsibility of the individual(s) whose content is submitted. The Daily Star accepts no responsibility for the content of comment(s), including, without limitation, any error, omission or inaccuracy therein. Please note that your email address will NOT appear on the site.
Alert: If you are facing problems with posting comments, please note that you must verify your email with Disqus prior to posting a comment. follow this link to make sure your account meets the requirements. (http://bit.ly/vDisqus)
Another, named Antonio (Antonio Albanese), is blowing balloons up manually – a white one, a red one, the colors of the national flag.This essentially comic scene falls about a half hour into Gianni Amelio's 2013 film "L'intrepido," (The Intrepid).That said, Amelio's film is a cleverly constructed and powerful thing.It is 6:30 a.m., the text continues, and at this time every day, Antonio begins his work, in his own fashion.Antonio sprints across the frame to meet a man in a construction worker's outfit. A few minutes later, you see Antonio working the high steel.Antonio has no fixed job.When Antonio glimpses some of the ethical implications of this, he seeks casual labor by other means.Rather, it suggests that, as Antonio knows instinctively, contentment can be found in action, performance if you like.At the heart of the film is an exchange between Antonio and Ivo at his band's warehouse-cum-performance space, where the boy has just had a shouting match with his bandmates.
The odd intimacy of Gardens Speak
Thoughts on the bare naked Arab
An action film untroubled by action
FOLLOW THIS ARTICLE