CANNES, France: Canadian auteur David Cronenberg presented a director’s take on a Hollywood infected by taboo sex and backstabbing, plus a few ghosts, Sunday. Tommy Lee Jones, meanwhile, turned the Western around for a perilous eastward trek with madwomen at Cannes.
Jones’ “The Homesman” and Cronenberg’s “Maps to the Stars” screened the same day that Sylvester Stallone, Arnold Schwarzenegger, Mel Gibson, Harrison Ford and other cast members from “The Expendables 3” rode in tanks in the Mediterranean seaside town, lending star power to the festival.
Cronenberg’s look behind the tinsel of Hollywood was the second competition film shown on the fifth day of the 12-day festival, giving it a heavily North American flavor.
A critic for a major trade publication, who did not want to be quoted by name before a review appeared in print, said Cronenberg’s film was “very disappointing and very uneven.” It stars “Twilight” idol Robert Pattinson as a Hollywood wannabe working as a chauffeur and Mia Wasikowska as a schizophrenic.
“The Hollywood Reporter” called Jones’ film “an absorbing, melancholy look at the hard lot of women in the Old West.” It stars Jones and two-time Oscar winner Hilary Swank as a team escorting the madwomen.
Of the main competition films shown, Turkish director Nuri Bilge Ceylan’s “Winter Sleep” and British director Mike Leigh’s “Mr. Turner” are tied with the highest rankings – according to Screen International’s compilation of critics’ opinions.
Written by Los Angeles writer and actor Bruce Wagner, “Maps to the Stars” features a cast of twisted characters. They include a child actor recovering from a drug habit, his schizophrenic sister, their ambitious parents who have a dark secret, and a has-been actress who is desperate to recreate a role played by her mother, who died in a fire.
Ghosts of the actor’s mother, a drowned child and a girl who died in hospital shortly after a visit from the child actor give the film a supernatural patina, suggesting that Hollywood is not just a city of dreams but of nightmares.
Based on a novel by Glendon Swarthout, “The Homesman” includes the usual gunfights and hostile Indians, though at a press conference Jones rejected the idea that the portrayal of native Americans was a “stereotype.”
The people playing the Indians were “all native Americans, they were all of Pueblo descent,” Jones said. Even the costumes they wore were thoroughly researched to help them look like the hostile Pawnees they portray in the movie.
“I’m not ashamed of the fact that they were considered by our characters to be potentially homicidal,” he continued. “We were not bending the truth at all or stereotyping anybody.”
What is unusual is the stark portrayal of the extreme hardships faced by young women trying to survive, raise families and cope with extreme weather and disease. One of the madwomen had three babies die of diphtheria.
Nebraska, where the movie is set, Jones said, was “not a really inviting place for a woman of the Victorian era.”
“As the director, I can tell you I did everything I tell myself to do,” Jones said, “and as an actor I listen very carefully.”
Swank plays Mary Bee Cuddy, an unmarried woman whose farm is successful but who cannot find a husband and agrees to lead the wagon trip to take the madwomen east with Jones. She said the role showed how resourceful frontier women had to be.
“We’re talking about a time that was extreme in every way,” Swank said. “It was a hard, hard time, a hard place to live – the elements, the idea of doing it alone, the idea of wanting a partner to share in it, someone to love, someone to have her back.”
Conditions on location in New Mexico during the winter drove home for her how hard life had been. “When it was cold it was freezing,” Swank said, “when it was windy you had sand in your nose and your ears and your mouth.”
The Cannes film Festival ends May 24.