Your feedback is important to us!
We invite all our readers to share with us their views and comments about this article.
Disclaimer: Comments submitted by third parties on this site are the sole responsibility of the individual(s) whose content is submitted. The Daily Star accepts no responsibility for the content of comment(s), including, without limitation, any error, omission or inaccuracy therein. Please note that your email address will NOT appear on the site.
Alert: If you are facing problems with posting comments, please note that you must verify your email with Disqus prior to posting a comment. follow this link to make sure your account meets the requirements. (http://bit.ly/vDisqus)
It's not that the Fender and Gibson lines were crap, far from it. They simply weren't really guitars anymore: the electric pick-up made the instruments something other.The festivities commenced with the cosmopolitan quartet Mayas/Falb/Buck/Kern. Pianist Magda Mayas and her creative consort, percussionist Tony Buck are Irtijal habitues, though on this occasion Mayas was performing not on a prepared (read "pimped-out") baby grand but a stand-up piano – requiring her to kneel beneath the keyboard to get to the strings needed for the opening bits of the show.Piano and DJ flanked the percussionists.Common instruments aside, the drummers' techniques are nearly as disparate as those of Mayas and Kern, so this array made for some engaging complementarities -- the flanks providing a nest of organic ambience for the percussionists' unconventional scratching-thumping-cymbal crashing. Though neither Pauvros nor Sehnaoui can be accused of playing their instruments conventionally – the former is fond of bowing the strings and screaming into the pick-up, while the latter prefers tapping the strings with chopsticks and other shadier objects – their performances are entirely distinct from one another.
Reflecting on the Nile’s surrealists
Musical bomb, shrapnel of laughter
Memory, mystery, bloom in Loreak
FOLLOW THIS ARTICLE