Your feedback is important to us!
We invite all our readers to share with us their views and comments about this article.
Disclaimer: Comments submitted by third parties on this site are the sole responsibility of the individual(s) whose content is submitted. The Daily Star accepts no responsibility for the content of comment(s), including, without limitation, any error, omission or inaccuracy therein. Please note that your email address will NOT appear on the site.
Alert: If you are facing problems with posting comments, please note that you must verify your email with Disqus prior to posting a comment. follow this link to make sure your account meets the requirements. (http://bit.ly/vDisqus)
As "Two" ends, the house lights rising upon a smiling Staton, bowing before the capacity audience's applause, one thing is certain: The utter folly of having a film writer cover an evening of contemporary dance.This is true in "Two" but also the solo-cum-duo "Still," in which strips of light and shadow repackage the stage, and the form of soloist Dickson Mbi, to resemble a shifting bar code.In the gamelan-driven duet "Still Current," featuring Staton and Adam Kirkham, the lighting embraces both dancers until literally bifurcating the stage into two strips, each containing a lone dancer.When the eponymous number ended the show, the ensemble did not return to the stage for a final curtain call – as if concerned the audience expected them to extemporize another dance or two.BIPOD continues Saturday and Sunday with "Hibr" (Ink), a collaboration between Maqamat Dance Theater and Marcel Leemann Physical Dance Theater.
A Cinderella cabaret comes of age
A timely salute to Egypt’s King of Pop
We’re on the road to somewhere
FOLLOW THIS ARTICLE